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#Dxo viewpoint version differences how to
#Dxo viewpoint version differences install
#Dxo viewpoint version differences full
#Dxo viewpoint version differences pro
#Dxo viewpoint version differences series

#Dxo viewpoint version differences full

I like DxO's top button-bar options-one click for full image-size viewing, fit on screen view, full-screen view, and side-by-side comparison views. DxO makes Lightroom round-tripping an option in PhotoLab as well as in PureRAW. That's really all you need, but Adobe's Lightroom Classic offers more flexibility with modes for sharing, printing, maps, and books, as well. The latter is where you do all your editing and tuning. The program interface has two modes: PhotoLibrary and Customize. The dark gray interface of PhotoLab has a clean, subdued look. On first run, you see a welcome panel, called the Hub, that informs you about what's new in the program and points you to help and the online DxO store.

#Dxo viewpoint version differences install

Speaking of Adobe's app, at installation, you can choose to install the DxO software as a plug-in for Lightroom Classic (the newer version of Lightroom for nonprofessionals doesn't support plug-ins, so it's only available for Classic). The installer weighs in at 810MB, which isn't outrageous when you consider that Lightroom Classic is about 2GB. PhotoLab is available for up-to-date versions of Windows 10, Windows 11 (64-bit), and macOS 10.15.7 (Catalina) or later. You can see details of what's in each edition on this PhotoLab support page. Essential still gets you the excellent raw conversion, Smart Lighting, the Spot-Weighted mode, the Microcontrast tool, and local adjustment features.

#Dxo viewpoint version differences pro

That version also includes some pro features, such as the ability to manage camera-calibrated ICC profiles, custom palettes, and editable presets. To get some of DxO PhotoLab's coolest features, such as Prime de-noising and ClearView, you need the Elite version, which is what we tested for this review. Upgrading from PhotoLab 3 or 4 costs $54.99 for Essential and $79.99 for Elite. PhotoLab is available at two pricing levels, neither of which requires a subscription, Essential ($139) and Elite ($219). Best Hosted Endpoint Protection and Security Software.The workaround is to make cropped DNGs at the original ratio or maximum rectangle, so files without the black border that ACR does not process correctly. So, see Adobe’s side, DxO has nothing to do with it!

#Dxo viewpoint version differences how to

My conclusion is therefore that PureRAW sends a dng which has no problem (I checked it elsewhere), but it is ACR which does not know how to manage the influence of the black border resulting from the adjustment in PureRAW which gives the total image area.īy opening the two dngs in PhotoLab, the behavior is neutral with this border: whether it is present or not, pushing the shadow slider all the way gives exactly the same image! It being understood that the adjustment scales are different between DxO and ACR as explained above.

BUT, by changing the lens distortion crop setting to “Image cropped to original ratio”, the result in ACR is totally different! There is very little difference between 0 and +100.

with a dng whose settings are obviously identical to the one transmitted, I find the overexposure in ACR with shadows at + 100.

I tried the possible cases of settings for the dng:

#Dxo viewpoint version differences series

I then did a series of tests with the raw file, with DNG outputs from PureRAW 3 and PhotoLab 6. If I start from the transmitted DNG file, and open it in ACR, there is indeed a significant overexposure when the shadows slider is at + 100. I tried to figure out the reason for this problem, and I was very surprised with what I found. Were you able to adjust the shadows in PhotoLab? The export dng to Lightroom looks okay, but when I adjust the shadows that’s where the image breaks down. If you are going to use the global shadows slider to lift shadows you need to lower the midrange slider to compensate for high shadows slider settings. I use the local adjustments shadows slider to target specific areas that need details lifted from the shadows. I almost never set shadows at more then 10 or 15, and usually lower. That slider must be used with care in PhotoLab. PhotoLab’s shadows tool has an increasingly major impact on midtones the higher it is set. You should never assume that similarly named tools in two different software programs will give you the same results. The shadows tool in Lightroom is very different from the one in PhotoLab. Adjusting the RAW files in LR didn’t cause problems like this.Īh, That explains it. I adjusted the shadows on the RAW images and got the same problem so I wonder if it is an OS issue. Shadows pushed to the right and the looks is washed out. Downloaded PhotoLab and I’m getting the same results.